MICHAEL’S TAKE

I guess it was sort of inevitable if we did this long enough.

A lot of people are comparing this to Captive in the Dark. I can see why. And I can certainly make the case for comparing them. A young woman is kidnapped. Mexico. International human trafficking. An anti-hero with a troubled past. But there comes a point when this has to sink or swim on its own merits. That is where Jane and I disagree.

Probably the biggest difference is Marco. He is a little hard to describe. He’s a monster, right? The evil human trafficker who forces his captives to do his bidding to further his criminal empire. Simple. Only at least some of his slaves delight in serving him, happy that he rescued them from a life of poverty and despair. In fact, at least one is desperately in love with him. And he could have killed our young heroine right at the beginning instead of taking her into his home. And he certainly could have taken her anal virginity … because … well, the reason he didn’t I didn’t quite get. In fact, I found that entire subplot a little odd.

Douglas. Colin Douglas. That doesn’t actually appear in the novel and Colin never got assigned a designation starting with a couple of zeros but the whole MI-6 thing was an interesting choice. But it was such a minor issue that aside from adding some unintended humour it didn’t make much difference.

Angela’s character was obviously inspired by Natalee Holloway. In fact, when Jane suggested this book, I deliberately just started reading without knowing anything about it. So I had no idea what was about to happen although perhaps I should have seen it.

Ultimately it came down to whether I liked Angela and Colin. And I did. They weren’t Livvie and Caleb but they had their own strengths and weaknesses. I was really hoping things would work out for them. And they did – although not without a few twists right up the very end.

I’m sorry this didn’t measure up for Jane but there is always next time.

JANE’S TAKE

I live in the U.K. Granted, I wasn’t born here but I’ve spent the last decade of my life residing and working in Britain and, over time, have become reasonably familiar with all the dialects therein. Although I will never get the hang of Cockney rhyming slang (the first time someone asked me if I ‘fancied a butchers’ I had all sorts of bizarre images going through my head – we were going to some sort of butcher appreciation event? Some sort of sausage festival? Seemed a rather unlikely turn of events given the nature of the conference call we were having …). My point is that I have a semi-reasonable handle on regional accents these days.

I’ve worked with a few Scotsmen. One of my neighbours is from Edinburgh. And I can tell you right now that NONE of them sound remotely like Colin, the Scottish dude in this story. If ‘C’, said neighbour, started talking to me the way Colin does at certain points in Escape from Paradise, I’d probably think she’d been drinking a lot of Glenfiddich. In short, I could count on one hand the times I’ve heard ‘och’, ‘lass’, ‘lassie’, and ‘ken’ come up in conversation with Scottish people my age.

Reading the blurb for Escape from Paradise, I was excited – in fact, this was my reading choice rather than Michael’s. I like dark erotica, non-con in particular, and I thought this was going to be in the vein of C.J. Roberts’ Captive in the Dark, which I adored. Unfortunately, I fell rather heavily from the wagon within the first quarter of the book and just couldn’t get back on it again.

It wasn’t just the dialogue that flipped the off switch for me, but the rather erratic characterisation of both Colin and Marco, neither of which felt believable. The first does a dramatic personality one-eighty in the space of a few paragraphs, albeit due to a major life event (narcissistic party boy to avenging angel) and the latter is, well, just off somehow. (I was incredibly surprised that he didn’t kill Angela at the very beginning. I realise that would have stopped the story dead but, ultimately, that reaction from him to the circumstances would have been far more true to type.) Oh, and the way the police show up and deal with the crime involving Colin’s younger brother at the very beginning of this story? Er. No. It just wouldn’t happen that way here.

“I’m sorry to tell you this,” one of them said softly. “But we must work quickly. Your parents have been murdered and your brother’s gone missing. We’re taking you into custody for your own protection.”

Maybe this book works better for non-U.K. readers? Looking at this review I can see a lot of my gripes are to do with context and setting. For a comparison, it would be like me trying to write in a caricature American accent.

‘Howdy, Michael. Are you swell today? Because, dude, I totally I am. I am a total hot mess. My checking account is full of cooties and there’s a stick shift stuck in my drywall.’

Eh, something went wrong for me, that’s for sure. I wanted another Caleb, another Livvie – and I didn’t get either. Although looking at all the positive reviews Escape from Paradise is getting, it would seem I’m in the disliking minority.

Tickle your fancy? Click on the following links to purchase a copy:

Amazon.co.uk

• Escape from Paradise – Kindle
• Escape from Paradise – Paperback

Amazon.com

• Escape from Paradise – Kindle
• Escape from Paradise – Paperback

The post Escape from Paradise – Gwendolyn Field appeared first on Behind the Chintz Curtain.

Anyway the other day, Michael and I received a fantastic surprise: Take Me, Break Me will soon be released in paperback and guess whose words will be appearing on the cover? Yup. Mr M’s.

Cari, we cannot be anything other than utterly thrilled and flattered – especially since we’re in the fine quotation company of Club Shadowlands goddess Cherise Sinclair. It’s a huge honour to be featured on your book in this way and we can’t thank you enough for acknowledging us.

Now [taps foot impatiently] – when can we expect the next instalment in the Pierced Hearts series? Because, you know, those stick figures want an encore …

The post Take us and Break us: we’re on Cari’s cover! appeared first on Behind the Chintz Curtain.

Title:

Yep. As requested, Michael and I are back once again as a book-reviewing double act. Are we less ranty than last time? I think so. But I still ended up drawing stick figures. Couldn’t seem to stop myself. He, meanwhile, took the high road and included intelligent and insightful quotes. (I think it’s clear which of us is Batman and which of us is Robin in this instance …)

JANE’S TAKE …

Before I say anything else, I just want to make it clear that I liked this book. The story was interesting, the characters likeable, and the sex hot. (Very, very hot in fact.) But it disturbed me. And I felt bad for enjoying it at times.

I’m a bit of a fan of both the non-con and D/s genres when it comes to erotica. But I see them as very separate things and when they start getting tangled together in a work of fiction, sirens, alarm bells and all manner of other emergency service warning systems start going off in my head. Consent is fundamental to BDSM. Always. And if it’s not? Well, that’s abuse. Plain and simple. As a rule, I will immediately stop reading books that portray non-consensual interactions between characters as D/s or S/M. Take Me, Break Me, however, managed to twist all the traditional rules of engagement.

The premise is intriguing. Jodie wants to make a documentary about living through the experience of a capture fantasy and asks her ex-boyfriend, Klaus, to imprison her in the basement of her house for the period of one month. He is – initially – shocked by her proposition but eventually agrees because he’s concerned that if he doesn’t, Jodie might engage the services of someone who would take advantage of the situation and truly hurt her. A very arbitrary and vague set of guidelines (The Rules), consisting of five sketchy bullet points is drawn up, a detailed ‘in case it all goes horribly wrong’ protection contract signed, and off they go. You can see where this is heading, can’t you?

Needless to say, things don’t go to plan (there’d be no story if they did) and after little more than a day or so Jodie and Klaus find themselves in a bit of a situation. Klaus discovers his sadistic side. Jodie discovers she likes to be hurt. Klaus decides to throw away The Rules (such as they are) and make new ones. Without any discussion. Oh, boy.

My Take Me, Break Me experience went something like this …

@Michael (just after starting the book):

‘RED PEN ALERT!

I had to read the first chapter twice because all the tense switching confused me. (Maybe I am just A Bear of Very Little Brain?!) Present tense, then past written in the past tense, then past written in the present tense, then back to present in the present tense. Huh? What exactly are you signing, man [Klaus]?! End-of-year finance reports or a down-and-dirty sex slave agreement? Because, you know, that distinction is kind of important!

I now have the awful urge to sing Brittany Spears’ ‘Slave for You’, btw. :-/’

I get frightened by the lack of discussion and awful bullet-pointed rules:

I get confused about what genre I am actually reading:

[Brief interlude, during which Michael and I disagree over the outfit Klaus makes Jodie wear (he thinks it’s ridiculous, I think it’s fabulously degrading) and we both start Googling Magnetic Island, the setting for Take Me, Break Me, real estate prices.]

I get distracted by the idea of green bamboo canes:

Then Jodie and Klaus go to a play party and I want to get one of these out:

All in all, I felt like this the entire time I was reading:

As I said right at the very beginning, I liked Take Me, Break Me. But it scared me. Ergo the above picture. This is a case of the reader being ‘head f*cked’ as much as the characters because you’re enjoying all the things they’re doing together but feel horrible for it because the proposition is so dangerously and badly flawed …

This is a great story, albeit an uncomfortable one.

Safe, Sane and Consensual. Take Me, Break Me certainly proves how important this mantra is.

MICHAEL’S TAKE …

“I’ll make him an offer he can’t refuse.”

– Don Corleone

Jodie is a comedienne. Not the worst, but not the greatest either. Her career is just going so-so. So she gets an idea. Make a documentary. But not about the life of a so-so comedienne. No, her idea is to make one about psychological enslavement. You see, Jodie has a secret love for that particular type of erotica we call the Capture Fantasy. So her idea is to film a woman throughout the process and through to the end result. And not just any woman. Herself (with some preset automatic cameras). But who can she get to be her captor?

Klaus. Good old Klaus. Her accountant. Oh, and her once-upon-a-time boyfriend. He’s the perfect guy for this sort of thing. Except maybe a little too cautious. When she approaches him with the idea, he reluctantly accepts. But only after drawing up a Contract and set of Rules so strict he pretty much takes all the fun out of it for both of them.

After all, this is supposed to be fun. Safe, Sane and Totally Consensual but fun as well. So what happens after 36 hours or so when Klaus dispenses with The Rules and makes it up as he goes along?

“Power tends to corrupt, and absolute power corrupts absolutely.”

– Lord Acton

When I read the description for this one, I actually bought it immediately. Because even though I didn’t plan on reading it as soon as soon as I did, I knew it was one I was definitely going to read. I thought this could be a fun and sexy story. Instead I found it to be a brutally realistic portrayal of two people playing around with things they didn’t understand and getting in absolutely and completely over their heads.

Especially Klaus. I am often pretty hard on male lead characters for doing the wrong thing. But in this case, I didn’t really blame him. Things were so off from the very beginning that you just had to hope they both got out without any permanent damage.

“When you stare into the abyss the abyss stares back at you.”

– Friedrich Nietzsche

Do I think you should read this book? If you like capture fantasy and BDSM fiction, I would say absolutely, positively, unequivocally ‘yes’.

But just keep in mind this is more what not to do.

Tickle your fancy? Click on the following links to purchase a copy:

Amazon.co.uk

• Take Me, Break Me – Kindle

Amazon.com

• Take Me, Break Me – Kindle

Smashwords

• Take Me, Break Me – ePub

The post Take Me, Break Me (Pierced Hearts) – Cari Silverwood appeared first on Behind the Chintz Curtain.

One of the outstanding contributors to this noticeboard is Becca, who does an amazing job of letting all the group members know what’s just popped up and where we can find it. And the other day, she unearthed what can only be described as the most hilarious sounding erotica ever, Flight to Oblivion by one Captain Chris Felton. Per the blurb on Amazon (and, yes, all the following typos are actually in the product description):

‘Kester Wylie is invited to fly on an inaugural flight for a friends new airline. Seven hours into the 4 hour flight they find things are not wuite right. Kester has to break into the planes anti hijack cockpit and try to land the jet. He alters the auto pilot settings and lowers the plane, where he crash landed it on a desert island as they were almost out of fuel. There follows a struggle with the survivors, and he befriends two females and a Japanese team of cheer leaders. He takes them under his wing and eventually they are rescued he finds that the cheerleaders and their manager are all pregnant. He discovers the plane was brought down by a sophisticated missile system. Build in Shanghai by a Chinese his tech military contractor. He gets involved in an intreaguing plot to kill him. Along the way he encounters many beautiful females whom he seduces and they end up living with him, a tale of adventure and enigma and highly charged erotic situations.’

Holy cr*p! Executive Decision meets Bring it On meets Castaway meets Never Say Never Again. Danger! Disaster! Steven Seagal! (Okay, maybe I’m making that last one up, but it feels like he should be in this book!) It’s an erotic mash-up of epic proportions. One that I feel requires some supplementary visual diagrams.

Yep, you guessed it. The stick figures are back with a world first: Book Blurb by Pictures. (The Amazon product description team are going to be beating down my door …)

Part One: Kester makes an Executive Decision

 Part two: Castaway – The Cheerleader Years

 Part three: Bring on the Babies!

Part Four: Look, I know I said I’d Never Be Late Again but …

You know, after all this writing and drawing, I have the strange urge to watch Airplane! …

NB: Need more stick figure action? The lined ones go wild on horses in this post.

The post An erotica blurb in pictures: Flight to Oblivion – Captain Chris Felton appeared first on Behind the Chintz Curtain.